It would be fascinating to see how Lighting the Dark is further developed—perhaps with dramaturgical support to create more a sense of the on-stage/off-stage stories—and I would be interested to see the piece staged in smaller venues.
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Bangarra’s works are amazing, visually rich events that showcase powerful stories, each communicated through theatrical dance and illustrated with powerful soundscapes, great lighting/set design, and amazing costumes.
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Sheer joy: the night may have been cold, but this sold out show was one of most enjoyable I have been to in some time.
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All of the artists spent time in the room—in their pjs and UGGs of course—for bracelet training and to encourage audience participation throughout the show. And each discarded those comfier clothes when stepping onto the stage, for their moments in the spotlight.
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My 2024 Anywhere Festival hot tip is to book a ticket for at least one of the final Radio Variety Hour shows presented by The Dire Theatre Company—particularly if you are a fan of original theatre, radio, podcasts, and classic tales.
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The Abba Girls Tribute Show delighted everyone with their one-hour set of disco, ‘nostalgia replica costumes, infectious beats, and timeless classics.’
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A little like Ikea furniture, IKEA Wars does exactly what it says on the can (or, rather, flatpack and promotional information): comics, competition, and furniture assembly.
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A five-star drag event: the costumes were simply fabulous, the makeup was amazing, the choreography was classic and outrageous, the lip-synch was on point, and the song choices made for a fun evening.
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Somnium is the perfect title for choreographer Kelsey Dell’s compelling new work, that is ‘inspired by states of dreaming and the imaginings of our unconscious minds.’
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There is so much to highlight from this excellent production—particularly the soundscape, acting, and production design/direction.
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