Escape is a captivating, athletic and fast-paced blend of acrobatics, circus skills, and contemporary dance. If funds allow, I highly recommend getting to the QPAC Playhouse to see Escape, and to experience the dance.
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Brendan Joyce, Camerata’s Artistic Director and Principal Violin, speaks of the importance of collaborations between guest artists and orchestras. Old. New. Borrowed. Blue. is an inspired Camerata collaboration with Anthony Romaniuk
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KOOZA deserves to sell-out. Describing KOOZA as a box of delights that wows, thrills, and amazes audiences, we think we may just be going back again to catch the thrilling highlights that include the Wheel of Death and 7m-high chair balancing.
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The Visitors is a must-see show; a relevant, funny, and thought-provoking piece that is First Nations storytelling at its finest
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There is much to enjoy in this 2025 Superstar rock concert production: the lead vocals are all strong, it’s great to hear this score played by talented musicians, and the staging is a visual delight. But Jesus Christ Superstar can be so much more than just a rock concert.
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As a show that is part rock concert and part theatrical performance, Big Name, No Blankets is well-served by a strong band and excellent cast.
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It would be fascinating to see how Lighting the Dark is further developed—perhaps with dramaturgical support to create more a sense of the on-stage/off-stage stories—and I would be interested to see the piece staged in smaller venues.
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Bangarra’s works are amazing, visually rich events that showcase powerful stories, each communicated through theatrical dance and illustrated with powerful soundscapes, great lighting/set design, and amazing costumes.
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A Nothing Ever Happens in Brisbane interview with Lachlan Driscoll, Founder & Creative Producer, at Observatory Theatre’s 2023 Season Launch.
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Engaging duelling and duality in the Queensland Shakespeare Ensemble’s (QSE) Romeo & Juliet. A copy of this review first appeared at Nothing Ever Happens in Brisbane.
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