I was charmed by the latest production by the talented Blue Roo crew. Midnight at the Cemetery is a light-hearted tale, with a moral message that is suited to all ages.
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Photographs from the 2024 4MBS Shakespeare Festival production of Anthony and Cleopatra.
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We may just be seeing a rebirth of the Drag King genre. DragSpeare is an unmissable highlight of Brisbane’s 2024 Melt Festival, so get in quick.
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I am so pleased I had the opportunity to see the premiere of this excellent new work by Harry Fritsch (Playwright), and to be yet again impressed by the work of Virag Dombay (Director/Producer).
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AI May encourages audiences to reflect on all that is human: to love, laugh, sing, dream, tell stories, cherish memories, and grieve.
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Jeanette Cronin gives what can only be described as a one-woman show masterclass, in an exceptional performance.
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I highly recommend the Savoyards production of this show. I came away from the opening night full of praise for the creative team, ensemble, and leading actors.
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As a show that is part rock concert and part theatrical performance, Big Name, No Blankets is well-served by a strong band and excellent cast.
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It would be fascinating to see how Lighting the Dark is further developed—perhaps with dramaturgical support to create more a sense of the on-stage/off-stage stories—and I would be interested to see the piece staged in smaller venues.
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Bangarra’s works are amazing, visually rich events that showcase powerful stories, each communicated through theatrical dance and illustrated with powerful soundscapes, great lighting/set design, and amazing costumes.
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