The Heartbreak Club is a play that is light on the serious homicidal ideas, and heavy on the gentle comedy and healing.
Read MoreAll Smoke, No Script is a great idea, and I do like the long-form improv format. I enjoyed the show, but felt there were a few points where the pace needed to be lifted. If you want to have ‘I saw it at the 2026 Festival’ bragging rights, you need to be quick as these detectives are leaving the factory tomorrow. Just be ready with those suggestions.
Read MoreSpeed: The Movie, The Play is the perfect fringe and comedy festival show. It’s funny, fast-paced, immersive, and a must-see event. With all of the madness going on in the world, this is exactly the silliness and sheer joy that everyone needs. Answer the opening ‘are you ready to ride the bus?’ call, and get to see this show.
Read MoreDie-Mommie Die! is a delicious melodrama. Yes, it might be fun to see a ‘fully-camped’ version with a cast of Drag Queens and Kings. But this Midnight Social PIP Theatre show is funny, slightly dark, and a good evening’s entertainment. Go if you can.
Read MoreThere is much to enjoy in the latest QTC production, but I came away feeling slightly disappointed—probably because I wanted to love Torch The Place more than I did. Benjamin Law is a talented and prolific Queensland writer, and recent QTC productions of Calamity Jane, A Few Good Men, and The Great Gatsby have set a high bar.
Read MoreFabulous direction, great casting, and an excellent team of creatives that makes for the must see show of the year—or possibly the Queensland Theatre Company production of the decade. A Few Good Men gets a 6-star, 10 out of 10 rating from me.
Read MoreWhitefella Yella Tree is the Romeo & Juliet of our times, and deserves a sold-out close to its short La Boite run. Whitefella Yella Tree is a clever, and sometimes funny, piece of writing that addresses big issues through a sensitively told story.
Read MoreWell done, 4MBS; a good addition to your celebratory 30 years of the ‘Festival of Classics’ program.
Read MoreA thought-provoking work, with impressive under-18 actors. Moving, inspiring, and sometimes funny.
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