Survival On A Strange Planet is often funny, and acts as showcase for the aerial, lip-synching and whip-cracking skills of Grace Law , and for the puppetry talents of Calum Johnston—although there are a few areas where I feel that this work in progress might benefit from future development
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Read MoreTerms & Conditions Apply is a short, witty and funny one-act play, with some great dance moves. I enjoyed this show, and wonder if the creatives are considering working it up to a longer 90-minute show, perhaps by adding in a second act that answers the ‘what happens next’ question.
Read MoreThe 2025 theme for Backbone Festival is ‘Look Up;’ perhaps ‘look out’ might be more appropriate, as works such as FUSE are a great demonstration of Brisbane’s emerging talent.
Read MoreIf you have never seen The 39 Steps this might be the production for you. A great piece of writing, requiring four actors to portray multiple characters, and this version has a committed cast and strong design elements. But—and it is a big ‘but’—most of this production was only mildly amusing, and didn’t inspire any of the anticipated hilarity.
Read MoreAlthough Hello Dolly! is not a musical that will be in my top 100 list, this is possibly one of the best pieces of work that I have ever seen by Savoyards’ cast and creatives…
Read MoreWired Differently is an entertaining piece of theatre, with important themes and messages, strong dance moves, humorous lines, fantastic acrobatics, thought-provoking prose, and excellent cello playing.
Read MoreYou don’t have to be a musical theatre aficionado to enjoy this one. Tick, Tick … Boom! reminds us all about the highs and lows of working out what we really want from life—and is a funny and enjoyable evening at the theatre.
Read MoreDance Nation is not a play I’d rush back to see, but THAT Production Company has assembled a strong local cast, under the direction of the talented Timothy Wynn, and the production features some excellent young dancers.
Read MoreWe’re All Gonna Die! certainly has some funny moments, fabulous puppetry and set, a very hard-working cast, a great soundtrack, and a strong climate change message. But I came away feeling that this is a show that needs a little more—or, perhaps, less.
Read MoreThis impressive adaptation by Helen Strube, Deidre Grace and PIP Theatre re-places the action in 1980s Queensland. Grace is the absolute star of this show: epic monologues, impressive character shifts, incisive questioning, and incredible comic energy.
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