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Queensland Maritime Museum

Review: Titanic: The Movie, The Play

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Review: Titanic: The Movie, The Play

Act/React have done it again—producing a sure-fire highlight of the Anywhere Festival program. Yes, the Show is outside. Yes, you may not get to sit in your seat for the full 60 minutes. And yes, it probably helps a little if you have seen Titanic (the 1997 film). But this is a funny, fast-paced romp through aspects of the film, which is guaranteed to entertain (and may even give you the chance to play a starring role).

The plot of Titanic: The Movie, The Play is similar to that of the film. But you really don’t need to have seen the film to keep up with the Show. And just in case you missed it, here’s a quick **spoiler.** Girl in unhappy engagement travels with excessively wealthy fiancé on the maiden voyage of the ‘unsinkable’ Titanic… meets poor boy… falls in love/poses naked for him to draw her… escapes the sinking Titanic… loses poor boy… leaves fiancé …has an amazing life… comes back to see the salvage trip many decades later (telling the story of her love and loss in flashback).

The Act/React version doesn’t follow the film format too closely, however. The play is shorter, much funnier, and very slightly lower in budget with a smaller cast. Last year Act/React performed the memorable Kiss of the Vampire Squid. In 2019, they have returned to the Queensland Maritime Museum.  In the best tradition of Anywhere Festival, the team have again drawn on the Museum for inspiration and set—this time turning their improv minds to the challenge of re-staging a rather lengthy film to create a very funny, immersive 60-minute play.  Co-directors and writers Gregory Rowbotham and Nathalie Bochenski (together with fellow writer Dan Beeston) have another hit on their hands.

Titanic: The Movie, The Play appeared to be more highly-scripted than last years’ Anywhere Festival Show, with the cast keeping their allocated roles for the full run. This didn’t affect the entertainment value, as the team have pulled together a great cast (with many members also playing important roles in costume and set design). Drew Lochrie plays the role of Billy Zane with enthusiasm and panache—and is a great foil for Daren King’s charming Jack (in particular during their ‘altercation’). Nathalie Bochenski is a fabulous Rose (with the support of her ‘bunch of Roses,’ of course), and Elizabeth Best plays Molly Brown with great relish (and gets the best costume). Scott Driscoll has to get the ‘best beard of the festival award,’ and is a very memorable Captain… in particular when wearing the wheel for one his speeches (set & prop design by Scott Driscoll and Daren King, and costume design by Amy Driscoll).

Watch out for the iceberg, dolphins, that drawing, and the not-naked scene. And play ‘count the film references’ if you can (wait until you see Super Mario… who knew he was in Titanic?). It’s not quite as romantic as the film, but it will make you chuckle, you have a chance to be part of the action, and the only tears are likely to be of laughter. This is an enjoyable start to an evening, or a post-work treat—and is definitely a great ‘ice-breaker’ for a first date.

Verdict: Don’t die wondering if you’d make a great Rose. Get a group together, take the family, or go on your own. Buy a ticket while you can.

Audience tip: 60 minutes. Suitable for all ages. Dress for the Brisbane early evening (you are outside—although there is the opportunity to ‘huddle’ at various stages). Arrive up to 30 mins early and buy a drink at the bar (run by the friendly Queensland Maritime Museum volunteers, with proceeds to support the museum) and have a quick look around. There are four more performances of Titanic: The Movie, The Play (18, 19, 25, & 26 May). Tickets are available at the Anywhere Festival website ($24 concession and $29 standard).

 Catherine Lawrence, perspectives

The reviewer attended the Sunday 12 May 2019 (6:00pm) performance at the Queensland Maritime MuseumSouth Bank, Brisbane.

Picture Credit: Creative Futures Photography.

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Review: Super Circus Squad

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Review: Super Circus Squad

Super Circus Squad is a great idea, well-executed, and just perfect for audiences young and old. Great outfits, good humour, enjoyable audience interaction, and some great physical theatre, trapeze, acrobatics, balance and ‘strength’ along the way. Feisty, feel-good chuckles, complete with a positive message, a strong female role-model, and suggestions as to how to handle those who are being mean to you when a visiting superhero isn’t on hand to come to your rescue.  Perfect for school fundraisers, educational treats, festivals and parties—and a great choice to include in the 2018 Anywhere Festival.

Pictured: Reece Cooper and Hannah Cryle. Picture Credit: Geoff Lawrence,  Creative Futures Photography .

Pictured: Reece Cooper and Hannah Cryle. Picture Credit: Geoff Lawrence, Creative Futures Photography.

Hannah Cryle and Reece Cooper—with additional support from superhero Rose and ‘villan-teer’ Matt Rowe—held the attention of their all age audience at the Queensland Maritime Museum on 20th May. The show ran for perhaps 40 minutes although, even during warm-up, Hannah maintained a positive interaction with the audience (an extra bonus, we learned, from watching an Anywhere Festival event).  Having captured the interest of the younger spectators, and explained that Super Circus Squad is a “superhuman story” where the audience get to choose the adventure (and where “everyone is allowed to have fun”), the performers were soon rewarded with squeals of laughter at their “pre-show ritual.”

The ‘opening credits’ for the show are a great idea—demonstrating some of the complementary skills of the performers (with strength and trapeze by Cryle, and acrobatics by Cooper), some well-observed humour, and (of course) superhero poses. The audience were kept on their toes by having to assist in naming their superheros (there is a ‘formula to such things, apparently), before hearing about some of the successful world-saving recently undertaken by (at our show) The Blue Boat and The Purple Blahblah. The ‘slow-motion galaxy’ story was not only great fun, but also an excellent demonstration of Cooper’s headstands and work on the handstand poles—as well as of the comedic skills of Cryle.

Pictured: Reece Cooper (L) and Rose. Picture Credit: Geoff Lawrence,  Creative Futures Photography .

Pictured: Reece Cooper (L) and Rose. Picture Credit: Geoff Lawrence, Creative Futures Photography.

An important part of the show was the selection, naming and ‘training’ of the volunteers. On the 20th May, Rose proved a perfect superhero, great dancer, and future acrobat with charming interactions with fellow superhero The Blue Boat (Cooper). Cryle’s transformation of Matthew Rowe was very amusing, and we all now know the key traits of any cartoon anti-hero (Chief Executive Officer, Queensland Maritime Museum, who proved to be a general good sport as co-opted villan-teer for our show).

The show had a great finale, integrating trapeze, strength and acrobatics in a ‘duet’ between Cryle and Cooper, and closing with a reminder of a useful technique for dealing with everyday villains (or, at least those who are trying to be mean to you). Leaving just enough time for a picture with your favourite superhero before going off to find some ice-cream.

Pictured: Hannah Cryle and Reece Cooper. Picture Credit: Geoff Lawrence,  Creative Futures Photography .

Pictured: Hannah Cryle and Reece Cooper. Picture Credit: Geoff Lawrence, Creative Futures Photography.

Verdict: Great fun. Feisty, feel-good chuckles that everyone can enjoy (and a positive message to take away).  

Audience tip: Seek this one out at future festivals.

Only three performances during Anywhere Festival 2018: Montessori International College, Forest Glen (11am on 13th and 19th May), and Queensland Maritime Museum 3pm, 20th May).

Tickets were available at the Anywhere Festival website. $10. Suitable for audiences of any age.

Catherine Lawrence

The reviewer attended the Saturday 19th May (7:30pm) performance.

Pictures Credit: Geoff Lawrence, Creative Futures Photography.

 

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Review: Kiss of the Vampire Squid

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Review: Kiss of the Vampire Squid

Yo Ho Ho. The lights dim, and the crew join their “new recruits,” with a reassuring “don’t worry, we’ll get some salt in your blood.” Extracting a few key pieces of information from the audience (for the second show, a frightened octopus named Bella), the company then cast a very tall, improvised tale.  Sorry, I mean, “the real story of Bella the frightened octopus.”

Pictured: "Jack," Kiss of the Vampire Squid: Picture credit: Geoff Lawrence, Creative Futures

Pictured: "Jack," Kiss of the Vampire Squid: Picture credit: Geoff Lawrence, Creative Futures

I don’t want to spring all of the surprises of the evening. On 12th May, there were a lot of European stereotypes (perfect for Eurovision weekend), some spectacularly amusing accents, a fez, a tale of love and loss, a crewman called Jack (aren’t they all?), and a Norwegian octopus. As an improvised piece, the tales told during the last three evenings of the run of the Kiss of the Vampire Squid may differ. But I am certain they will be at least as funny.

Tall tales and creepy stories of the sea have to be enjoyed on a boat. So where better than sitting on the deck of the HMAS Diamantina. Even the curlews got in on the act with the occasional creepy wail to augment the excellent work of the accordion player. Act/React have a team who work well together. The device of the narrator keeps the show on the road, and the other actors on their toes as they react to changes in the various scenarios. Some great observations about inter-European rivalries, appropriate costumes and makeup, and excellent props all help in creating a really enjoyable 60 minutes.

Picture: The Narrator in control,  Kiss of the Vampire Squid . Picture credit: Geoff Lawrence, Creative Futures Photography.

Picture: The Narrator in control, Kiss of the Vampire Squid. Picture credit: Geoff Lawrence, Creative Futures Photography.

Anywhere Festival is Brisbane. A chance to experience new works which reimagine different places across the city. Kiss of the Vampire Squid is Anywhere Festival at its best: a fun evening that will always echo around in my mind any time I am near the Maritime Museum. I’m sure every evening will be different…so, if funds allow, go to all 3 remaining shows and get a chance to see some very funny improv.

Verdict: Go. It’s a fun evening, and a chance to see what Anywhere Festival is all about.

Audience tip: Arrive early so you can have a quick look at part of the Queensland Maritime Museum, and enjoy fantastic views of the Brisbane skyline. Dress for the cool evenings (you’re outside, but seating is undercover). Buy a drink on your way onboard (on-site bar a very reasonable $2-$5). PG (sexual references & occasional language). 60 minutes.

Pictured: Kiss of the Vampire Squid. Picture credit: Geoff Lawrence

Pictured: Kiss of the Vampire Squid. Picture credit: Geoff Lawrence

Presented by ACT/React, at Maritime Brisbane (the Queensland Maritime Museum).Only three more performances (17th, 18th & 20th May) so get in quick. Tickets are available at the Anywhere Festival website. $22. 

Catherine Lawrence

The reviewer attended the Saturday 12th May performance.

Pictures Credit: Geoff Lawrence, Creative Futures Photography.

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