Mother’s Ruin: A Cabaret About Gin is a great evening: three expert cabaret performers who re-frame the history of gin through a feminist perspective. A love story about the beverage of choice, enhanced with fantastic harmonies, and great humour by chanteuses Maeve Marsden and Libby Wood—with superb musical direction and performance by Jeremy Brennan. What’s not to love?  

 Pictured (L to R): Maeve Marsden and Libby Wood.  Picture credit: Creative Futures Photography.

Pictured (L to R): Maeve Marsden and Libby Wood. Picture credit: Creative Futures Photography.

 Pictured: Jeremy Brennan.  Picture credit: Creative Futures Photography.

Pictured: Jeremy Brennan. Picture credit: Creative Futures Photography.

Elly Baxter (writer/researcher—aka The Ginstress), and the performers, clearly know everything there is to know about gin. By the end of the 60-minute show we walked out feeling a little thirsty…but also better informed about some of the politics behind our favourite beverage. The Show has been running for three years, following a first outing in 2016. I am not surprised it continues to attract rave reviews around the world. It’s slick, informative, and professional—and yet is funny and feels fresh. For example, it was lovely to hear the occasional local mention—particularly the ‘Drinks for Women” reference to Merle Thornton and Rosalie Bognor’s 1965 Regatta Hotel Bar protest.

Everyone will have their highlights from the evening. For me, Wood’s version of Sia’s Chandelier—definitely hitting all the right notes. But Marsden’s performance of Lionel Bart’s Oom Pah Pah also left a lasting impression on at least one of our group...

 Pictured: Maeve Marsden.  Picture credit: Creative Futures Photography.

Pictured: Maeve Marsden. Picture credit: Creative Futures Photography.

 
 Pictured: Libby Wood.  Picture credit: Creative Futures Photography.

Pictured: Libby Wood. Picture credit: Creative Futures Photography.

Be assured this will be one of my picks from the 2018 Brisbane Festival—and we are only at the start of Festival Director David Bertold’s ‘Act 2.’ Last night was meant to be my night off from reviewing. But Mother’s Ruin: A Cabaret About Gin deserves to sell out the rest of this Brisbane run. Book now!

Verdict: Unmissable. Definitely one of my picks of the 2018 Brisbane Festival.   

Audience tip: The La Boite Roundhouse is a great venue for the show, with good views from any seat—but the ‘floor’ and the first row of the raised seating are probably the best. Mother’s Ruin: A Cabaret About Gin has a six-show season at the 2018 Brisbane Festival, so buy your tickets now ($34-$37). 18th-21st September (7:30pm), plus two shows on 22nd September (6:45pm & 9:15pm). Production suggests 18+ (adult themes, coarse language, and alcohol references) & a smoke machine is used throughout. For more information on other Brisbane Festival events, check out the Brisbane Festival website. 

Catherine Lawrence, perspectives

The reviewer attended the Tuesday 18th September 2018 performance (7:30pm).

All pictures credit: Creative Futures Photography.

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