First, book this show. Then, pop back here to read the review before you get down to the Brisbane Powerhouse. Elixir is a great tonic, with a mesmerising mix of acrobatics, balancing, beatbox, breakdance, comedy, cyr wheel, dance, juggling, ladder, physical theatre, slapstick, strength, teeterboard, trapeze, tumbling and even whip-cracking. Old-style circus given a very contemporary twist, and all presented as a cautionary tale of how testing your hoped-for ‘elixir of life’ concoctions may have dramatic consequences.

So it’s likely to have sold out already. In which case, here’s an idea of what you have missed.  

 
 Pictured: Thomas Gorham ‘head first’ balancing on Cal Harris. Picture credit: Creative Futures Photography.

Pictured: Thomas Gorham ‘head first’ balancing on Cal Harris. Picture credit: Creative Futures Photography.

 

Melbourne-based Head First Acrobats have a winning formula—combining the talents of Cal Harris, Thomas Gorham, and Rowan Thomas to produce a number of internationally-successful shows. Elixir presents the tale of three scientists who are now engaged in clinical trials of what they hope will be an elixir of life. The disembodied voice of ‘control’ at the ‘research facility’ warns the audience that those using flash photography ‘may die’; or those not turning their phone to silent ‘may die’; and that those testing the ‘drug’ may suffer the consequences. I didn’t hear any phones ring, but the ‘scientists’ do go ahead with their tests.

Each variant of the ‘drug’ has differing results, giving Harris, Gorman and Thomas to showcase their individual and collective talents. And they are certainly multi-talented.

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Harris demonstrated some amazing & often quite spectacular ladder, incredible balance, and fantastic strength work. Gorman’s breakdance was superb, as were his acrobatics and highly-memorable trapeze work (that headstand… on a trapeze…). Thomas relished the comedic role, and I’ve never seen the cyr wheel worked with quite such style before—just… wonderful.

The circus skills are definitely the reason to go. But Elixir is more than ‘just’ circus. The dance moves were entertaining (look out for the Thriller piece), the story held the show together, and with some old-fashioned slapstick, audience-interaction, and ‘Australian humour’ this is a show that has something for almost everyone. Oh, and did I mention that shirts are removed?

The Brisbane Powerhouse Theatre is a flexible space, and it was interesting to see it set up in a slightly different way, giving the performers a three-sided stage to work within (all set against the backdrop of the Powerhouse brick). A perfect choice and space for this production. But if you can’t get tickets for the Wonderland Festival show, then Elixir is worth travelling to see.

Verdict: Love circus? Go. Looking for a good night out? Go. Not quite sure if this is for you? Go.

Audience tip: 60 minutes, Brisbane Powerhouse Theatre. There are only three performances of Elixir in the 2018 Wonderland Festival program (9:30pm, 29 November until 1st December 2018). Tickets may still be available: $45 ($39 concession, and pp for a group of 6+) plus $5.95 transaction fee. Why not keep an eye on the website, and see what else might tempt you at the 2018 Wonderland Festival.

Catherine Lawrence

The reviewer attended the Thursday 29th November 2018 performance (9:30pm).

Pictures Credit: Creative Futures Photography.

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