Review: Screw Loose

Screw Loose is fast, funny, and often quite fabulous. Emily Vascotto showcases her witty writing, funny moves, fantastic voice, and comic characterizations in this over-too-soon cabaret act. A few tickets appear to be on sale for the last night in this oh-too-short run. Buy now.

Screw Loose is what the advertising promises: “a comedy cabaret [and] delectable smorgasbord of musical numbers and moves,” and “one woman’s unwavering quest for love in all the wrong places.” Vascotto introduces us to the probably neurotic and definitely melodic ‘Emily’ (yes, I'm drawing on one of the songs here). And, in just under 50 minutes, we have a whistle-stop tour of her search for ‘the one.’  With a sprinkling of anecdotes, and a feast of songs to illustrate the tale, there are even a few tips along the way (who knew language lessons were a way to hook up, and don’t forget to watch out for how to create the “sexy face”).

Pictured: Emily Vascotto (Screw Loose). Picture credit: Geoff Lawrence, Creative Futures Photography.

Pictured: Emily Vascotto (Screw Loose). Picture credit: Geoff Lawrence, Creative Futures Photography.

I was captivated from the get-go with the fantastic portrayal of the 5 year-old Emily and her first love, Tommy.  I hope you enjoy the version of Hello (“from the outside”) as much as I did... move over Adele. But, too soon, we were on to another highlight in the dating catalogue, and the hugely enjoyable song that accompanies the tale of Daryl and the closet. Sadly there was a hiatus in the dating from grades 3-10, but it was worth the wait for the anecdote about the “Surprise Attack” double date and Saw 2. It was at this point in the show that the inner stalker really came out into the open, with the first tale of car keying and general destruction.

Only in the last 25 years has the word ‘stalker’ transitioned from referring to a poacher or hunter to the more ominous connotations of the harassment and persecution of a human target. For the object of desire, stalking can generate a range of emotions: from irritation and confusion through to a genuine fear of the femme/homme fatale. But the stalker can also be an object of pity—particularly if motivated by a desire for intimacy. In Screw Loose the portrayal of Emily allows the audience a chance to see behind the sexy face, and to gain some insight into the depth of a desire to be loved—particularly with Vascotto’s poignant change of tempo in the title song, which ends on the plaintive “I’ll be here if you need a loose screw.”

Cabaret is a great vehicle to convey a serious message. Screw Loose highlights the inherent danger in wishing for a ‘Disney-style’ fairy-tale ending. Not all whirlwind romances end happily ever after (probably too early to be selecting wedding dresses three days in to any new relationship), the way to a new partners’ heart is not necessarily to lock them in a castle (in Emily’s case, read closet), and not every prince will hang around once he’s had that first kiss. And, when it comes to smooching, Screw Loose certainly underscores that there can be a lot of frog-kissing to be done before finding your prince/ess.

Screw Loose is written and performed by Vascotto. I’d love to know who wrote all of the music as it sounded as if there may have been some original pieces in the mix. A number of the choices fitted so very well to the new and repurposed words—from the Disney-style theme tunes, to Adele’s Hello and Kooman and Dimond’s ‘In excess.’ Vascotto not only makes some great musical choices, but has a fantastic team along for the ride. The work of director Gabriella Flowers, and support of accompanist Ben Murray, ensured I enjoyed every moment.

It would have been great to see this show as part of a double bill (perhaps an idea for future Queensland Cabaret Festival programs), and I would love to hear a couple of further anecdotes (in particular, perhaps one inserted between the last two songs). But, really, Vascotto's performance is “absolutely gorgeous” (to quote from one of the final songs). The Queensland Multicultural Centre provides a fantastic venue for theatre and cabaret: centrally located, and in close proximity to a popular ‘watering hole.’ I am certain that most of the customers at the Story Bridge Hotel would have really enjoyed Screw Loose—even if not fans of music theatre or new to cabaret. So stop on your way to your favourite hotel, buy a ticket now, pick up a drink at the bar, and select a seat at one of the cabaret tables. It’s sheer fun.

Pictured (L to R): Emily Vascotto performing to a co-opted audience member (Peter Wood) in Screw Loose. Picture Credit: Geoff Lawrence, Creative Futures Photography.

Pictured (L to R): Emily Vascotto performing to a co-opted audience member (Peter Wood) in Screw Loose. Picture Credit: Geoff Lawrence, Creative Futures Photography.

Presented by Queensland Cabaret Foundation (and supported by Brisbane City Council and the Queensland Government through Arts Queensland), Screw Loose had a mere two outings during Queensland Cabaret Festival (7:15pm, 7th & 8th June, 2017). Tickets $24-$35. 48 mins.

 Catherine Lawrence

The reviewer attended Screw Loose at the Queensland Multicultural Centre (part of the 2017 Queensland Cabaret Festival), on Wednesday, 7th  June 2017, 7:15pm.